1/2/2024 0 Comments Happy farmer facebookBut I am not a 45-year-old man who is a farmer. When I thought about the story, the most obvious choice was to tell the story from Quimet's point of view. Can you discuss your approach to the narrative that lets viewers sink into the rhythm of these lives? I loved the young troublemaker Iris (Ainet Jounou) and her co-conspirators, Pau (Isaac Rovira) and Pere (Joel Rovira), but also Mariona's and Roger's storylines, along with members of the extended family. I'm curious about how you created the narratives for the other family members. Quimet's masculinity is toxic, but it is important to portray a man who can be tender and feel emotion. We wanted to give some hope through the character of Mariona, the teenager who sees as the boss, as the one to start thinking of breaking the patriarchal cycle. In these rural places they still don't know about feminism, and family structures are still quite old. We wanted to do a portrait of this place, and right now we have all these narratives of empowered women who are feminists. What observations do you have about him? We are rooting for him, but he is toxic! He is a fascinating character and not unsympathetic, despite making some bad choices. It manifests itself in his back pain and his relationships with his family. He seems to be stubbornly fighting an uphill battle, believing he is in the right but in denial about reality. Quimet is a toxic man, who fails to consider the impact of imposing his will on everyone. It was a difficult to show these different points of view, but it was freeing as well. We had to think about each character and their emotions, and how the emotions of one character can affect someone else, so we went with that domino effect. The structure of the film was a challenge because it is an ensemble piece. They have to leave their land and do something else.Ĭan you discuss why you told this story in a leisurely, very unstructured, immersive way? It's very effective. This way of life, cultivating agricultural in small family groups, is no longer as sustainable as it used to be. When my grandfather died, I thought, "What would happen to the trees that were there forever when they disappeared?" This is not happening in my family because my uncles are still cultivating peaches, but it is happening to other families they have to abandon their farms. My two uncles cultivate peaches in Alcarràs, which is a small village in Catalonia. What inspired you to tell this particular story? "Alcarràs" presents a microcosmic look at a family, a farm, and a community by allowing viewers to eavesdrop on their lives. Simón spoke with Salon about creating her new film. "Alcarràs" also addresses issues of fair pricing for farmers as Quimet is part of a collective that is staging a protest for farmers being squeezed out by big business. But Quimet's wife, Dolors (Anna Otin), and their daughter, Mariona (Xènia Roset), also get compelling storylines that help create a strong family portrait. Roger is especially well drawn he retaliates when Quimet discovers the secret crop of weed he is growing. After the tequila boom, "Dos Estaciones" shows how the Mexican communities left behind have changedĭirected by Carla Simón, who cowrote the script with Arnau Vilaró, "Alcarràs" allows viewers to absorb each character and understand their lives, desires and frustrations.
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